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Bandai Spirits merge with the Banpresto Toy Company

It has been revealed that Bandai Spirits will officially merge with Banpresto as they dissolve.

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Last month’s issue of National Printing Bureau’s Kanpō magazine, dated February 22nd, has revealed that toy company Banpresto has dissolved and will be merged with Bandai Spirits, Bandai Namco’s toys and hobby subsidiary. Bandai Spirits now own all rights and duties formally belonging to Banpresto.

Bandai Spirits was established on February 15th, 2018 by Bandai Namco as a subsidiary which absorbed the figure and plastic model side of the business and the convenience store goods business from Banpresto. The company had a capital stock of 100 million yen (about £692,000.06 in GBP) and about 450 employees at the time of it’s establishment.

Banpresto was founded as Hoei Sangyo, Co. Ltd. in 1977, and the company was renamed as Coreland in 1982. They then became a partially owned subsidiary of Bandai Namco in 1989 which is how they gained their most recent name. Banpresto became a wholly owned subsidiary of Bandai Namco in 2006.

What do you think of the move by Bandai Namco? Are you excited for the potential toy opportunities? Let us know on our social media pages!

Source: Anime News Network
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This Week in Tokusatsu – November 30th, 2018

Greetings, loyal readers! Today marks the beginning of a new weekly series, This Week in Tokusatsu, here at Toku Toy Store! Each week, we will be spotlighting events from Tokusatsu shows and movies, summed up in a more broad way than our older episode reviews. Stay tuned here each week for news, previews, and reviews!

For this first edition, we have a lot of ground to cover with more to come. Lupinranger vs Patoranger has entered its final arc, and though the pacing is inconsistent, the show is going strong! Meanwhile, Kamen Rider Zi-O begins to pick up steam with the Gaim arc coming to a close, and new trailers have debuted for Ultraman and Godzilla: King of the Monsters. Let’s dive in, shall we?


Lupinranger vs Patoranger Episode 41

Our heroes face off against the Gangler general Destra this week, and find themselves trapped in the Gangler world, which is something akin to Britain or France, draped in purple fog and eternal darkness. This is where we start to see the politics within the Gangler organization take shape in a meaningful way, as well as learning the true power that comes with a Status Double Gold designation, for someone like Destra. The episode treats us to some really well-done action pieces, even if the isekai plot thread is resolved a bit too quickly.

Once again, we’re starting to see Tsukasa put the pieces together that maybe the Jurer trio are more than they appear to be, but again the show holds off on the reveal. With just eight or nine episodes left before the end of this series, the reveal is coming up fast, and the final arc appears to be where the teams will have to truly come together. The preview for the next episode shows Tokyo in ruins, and Ganglers rampaging, as the heroes look on. The stakes are high and we won’t have to wait long for the payoff.


Kamen Rider Zi-O Episode 12

This week, Zi-O’s Gaim arc concludes, and we get to see a bit more of the spectacle that comes from having two Sougos, separated by a time interval of three days. It’s mostly played up for laughs in the beginning, but does end up becoming a crucial part of the endgame plot. Along the way, we get new character insights into most of the main cast, but the main bulk of the character growth comes in the form of Geiz’s willingness to trust Sougo with another Ridewatch, and the power of Gaim. It’s a powerful moment, driven by the lecture Geiz gets from returning actor Yutaka Kobayashi (Kamen Rider Baron/Kumon Kaito).

Next up, we will be treated to what appears to be a thoroughly packed arc, including appearances by Ghost, Decade, and Agito, with Decade appearing as a primary villain, if the trailer is meant to be taken at face value. A glimpse of Another Ghost reveals that the next Another Rider is more horror-themed, more demonic in appearance than his contemporary counterpart, and we also see that Sougo’s meeting with Takeru leads to him becoming a ghost as well. Does this mean one of the Sougos will die? Only time will tell.


Ultraman Anime Trailer

Earlier this week, Netflix debuted the first trailer for the long-awaited anime adaptation of the Kodansha manga Ultraman, which serves as a sequel to the original series. The art style has been a bit alarming for some, with much of the 2d/3d CG drawing parallels to the much-maligned Berserk continuation from 2016. The story follows a new Ultraman, the son of the original, and appears to be set in the modern era, rather than the 1960s setting of the original series. Another large detail is that this series will ignore all Ultraman continuity after Ultraman season one.

Look for Ultraman to debut in April 2019 on Netflix.


Godzilla: King of the Monsters International Trailer

The second international trailer for Godzilla: King of the Monsters debuted this week, and gave us our best look yet at the upcoming Kaiju. Rodan, Mothra, and even (through fog) King Ghidorah himself were on display in the new trailer, while the story of the human characters was expanded on a bit further. As hype for this film continues to build, Legendary Pictures’ Monsterverse comes together, with this third film slated to open the floodgates to Western Kaiju fans and casual viewers alike. Who knows what will come next? Maybe a cameo from MechaGodzilla? A crossover with Pacific Rim? Only time will tell, but expectations are high and excitement continues to mount as we approach the 31 May 2019 release of this film.


Looking for Jinga and Ultraman R/B? Check back soon as these shows become available and updated!

What was the highlight of your tokusatsu week? Join the discussion on social media!

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Ultraman R/B Episode 9 & 10 Review

In the aftermath of the debut of our first major villain for Ultraman R/B, we have been given two fantastic episodes that each highlight the different strengths of the series, from the comedy to the characters and the action.

There is a full arc in these two episodes, where we see the brothers dealing with their first real defeat in a meaningful and interesting way, as well as seeing what Aizen’s definition of a hero is. The character development is fantastic, each scene is crammed with some meta joke or callback, and all the characters play off each other incredibly well. Let’s begin with episode 9.

The setup for this episode is simple: Ultraman Rosso and Ultraman Blu have been defeated by Ultraman Orb Dark Noir Black Schwarz, and have to really come to terms with that. As many fans previously called out, the brothers and even some one-off characters make light of the name being way too long, with Katsumi even going so far as to point out that, when translated, his name is literally Ultraman Orb Dark Black Black Black, taken from English, French, and German respectively. To their credit, the brothers don’t waste all their time making jokes about a poor choice in hero names, though, instead dedicating themselves to training while at human size with mockups of the weapons and abilities they use as Ultramen.

Asahi tags along, but is unable to figure out what exactly they are doing, somehow.

Her coming along to the training session turns out to be a stroke of good luck, though, as she falls and suffers a leg injury that leads to the discovery of the Earth crystal hidden in a cave. It’s with this power that they finally manage to overcome Aizen in the rematch. Up to this point, he has been making himself known to the citizens of Ayaka by causing disasters, and then stopping them. Much of the setup to the battle happens off screen, but given the setting change after they challenge him, it’s safe to assume there was some debate about a cool hero not causing property damage, or the brothers simply asking that they protect civilians as much as possible. When they do beat him, at long last, they take the weapon Aizen has been using to transform, vowing that he will never use it again.

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Instead, we see Katsumi using it for special attacks as soon as episode 10! The brothers attempt to take a day off, a family picnic, only to be met on several occasions by Aizen or his Kaiju, even being offered high-paying jobs at Aizentech, stationed overseas and safely out of his way.

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When they refuse enough times, they encounter their toughest Kaiju opponents yet, and end up being beaten after Katsumi stops a building from falling on Asahi and Ushio. They are defeated and earn a failing grade in Aizen’s second Ultraman Test, at which point he reclaims his henshin device.

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After the credits roll on this episode, the preview for the next one seemingly confirms a fan theory that has been circulating for a while. If this theory proves correct, Aizen’s tests, repeated Kaiju attacks, and even becoming an Ultraman himself are all attempts to groom and train the brothers for some bigger threat that will soon loom large. The preview shows a previously-unseen woman with shining eyes, dressed in an all-black Japanese lolita dress, clearly a villain unless the show opts for more clever subversion. That remains to be seen, but I hope you all are excited as I am for what’s in store.

What did you think of these episodes of Ultraman R/B? Leave your thoughts and let’s discuss!

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Ultraman R/B Episode 8 Review

Here it is, at long last. This week marked the eighth episode of Ultraman R/B and the long-awaited debut of the series primary antagonist, Ultraman Orb Dark (or, properly, Ultraman Orb Dark Noir Black Schwarz).

As has been shown up to this point, he does end up using Aizen as a human form, and as such the character lends a great deal of levity and meta humour to what is, ultimately, the darkest episode of the series so far. While the brothers are definitively on the losing end of this fight, they spend much of the encounter being chastised for failing as heroes in the sense that Aizen deems worthy of Ultramen.

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These remarks border on fourth-wall breaking, including demonstrations of proper superhero poses, and the insistence that attacking during an introduction or transformation is against the rules. “You’re too green!” he tells them repeatedly, insisting that though he is their nemesis, he believes they can be something far greater than they are. The being that inhabits Aizen is thousands of years old, and knows the potential that Ultramen can achieve, so he sees that the brothers are wasting their gifts.

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Repeatedly, throughout the encounter, he brings up previous incidents and approaches them as mistakes a proper hero wouldn’t make. Every hit the brothers take, every time he outmatches them, Aizen is kind enough to pepper in bits of wisdom and advice, as if he isn’t truly their enemy, but trying to prepare them for something great. Maybe he is just holding them to the high standards of past Ultramen. We will see in the weeks to come, as this episode marks the one-third point of the total run of Ultraman R/B. Maybe some bigger threat is coming that Aizen knows about. It remains to be seen, but is sure to be interesting, at least.

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All in all, this episode is the heaviest so far, but still carries a great deal of the humour seen up to this point in the series through various self-referential jokes and physical gags. All along, there’s a certain air that eventually this enemy will become an ally. Maybe we have only seen the surface layer of this new villain, who is clearly more complex than he appears at a first quick glance. Much remains to be seen, but I am excited for all there is to come.

What are your thoughts on this episode and the series as a whole up to this point? Leave a comment or reach out on social media and let’s discuss!

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Ultraman R/B Episode 6 and 7 Review

The most fresh and fun Ultraman series of a generation continues strong with these two, semi-linked episodes and we finally get to see Aizen actually acting like a villain beyond summoning random kaiju!

Episode 6

In this episode, we open with Aizen observing a battle between the Ultra brothers and this week’s kaiju, Mecha Gomora, to learn about the pair and remarks that Katsumi should stick to playing baseball, while Isami seems like a child. The brothers, for their part, are met by an old family friend called Koma, who is a world-traveling chef and uses a lot Spanish phrases in her speech. She dresses extravagantly, in purple and bright yellows and blues, and is said to return to Ayaka City every four years to check in on the city’s children.

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For such a brief introduction to a character, a lot of emphasis is put on building up Koma as a fixture of Ayaka City, the same way certain businesses or landmarks would be. The brothers even openly reminisce with fond memories of playing janken (rock, paper, scissors) with Koma and Isami having been defeated 100 times four years ago. Naturally, after meeting her, Aizen decides to target Koma this week to lure the brothers out into the fight.

She ends up strapped into Mecha Gomora like a pilot, and we get to see some creative uses of new powers and teamwork before the episode concludes. For this episode, most of the substance is built in around Koma and her place in the world of Ultraman R/B, but it pays off in the end and the brothers are left better for the experience.

 

 

Episode 7

Fourth wall breaks and dropped spaghetti abound in this episode. As Katsumi, Asahi, and their father are being interviewed for a local TV news special inside Quattro M, Isami is out and about and spots a Kaiju attacking Ayaka City. He tries to engage in the fight after Katsumi says he can’t make it, and this turns into a running gag where the brothers will talk to each other and ignore the Kaiju, or Isami will talk directly to the Kaiju, making it wait impatiently, but politely, for the fight to begin. It’s silly and breaks the fourth wall in the best ways, and serves as an excellent showcase of the humour this show can convey when it wants to.

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When Aizen shows up, his anger is over the top, on par with that of a Looney Tunes character in his facial expressions and the way he speaks. He is upset about their squabble, and vows to take them on head-on. It’s here we get a clear shot of him holding a R/B Gyro and carrying the Ultraman Orb Dark crystal together for the first time. Cutting away from that, the brothers begin to argue more openly about why one Gyro works and the other doesn’t, with Isami insisting they take them apart to examine the mechanical bits.

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As always, the two lead actors play off each other incredibly well, and the episode keeps its over-the-top tone throughout, even as they try to balance the humour with the gravity of their actions as Ultramen leading to things like Koma’s injuries in episode 6, or parts of the city being destroyed by the fighting. After a hit taken in the fourth-wall-breaking fight earlier in the episode, Katsumi is left with a mark on his face, leading everyone to think that Isami is the one who hit him.

Koma returns this week, still in the hospital, and being visited by Aizen when Katsumi goes to see her. Katsumi seems to have no idea Aizen is behind the repeated attacks on the city, and somehow neither does Isami. This is a point to Aizen’s credit, as he has been acting strictly behind the scenes up to this point, with the only hint at his true nature being that he seems to always know more than he lets on when he talks to the brothers.

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It’s the mark of a well-crafted villain to know when to play his hand, and though it has been previously confirmed that Aizen will be transforming into Ultraman Orb Dark in the next episode, it’s a wonder the brothers haven’t picked up so much as a hint after all this time. He knows when to act and does not hesitate when the time comes, as he declares while summoning this week’s Kaiju from the hospital roof. As soon as this second appearance of Grugio Bone happens, though, all the levity is fittingly dropped in favour of the atmosphere of crisis an attack on an urban area by a kaiju should ellicit.

As always, Ultraman R/B blends humour and serious topics in an excellent way this week. Do you agree? I’d love to hear your thoughts in the comments below or on social media! Stay tuned for more.

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Ultraman R/B Episodes 4 and 5 Review

Character development and new crystals are the order of the day in the latest two episodes of Ultraman R/B!

Episode 4

Episode 4 is a very personal one for Katsumi, the older of the Ultraman brothers. The plot centres on Katsumi’s amateur baseball team trying to win one final game for their retiring coach, who was a mentor to our hero in high school. As you would expect, shenanigans ensue and the plan goes off the rails. From interpersonal drama to Kaiju attacks, seemingly every roadblock that could come up does. Along the way, we see that the brothers are not so good at keeping their identities a secret, with Isami, at one point, even calling out his brother’s name while in Ultraman form.

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Going by the size of these men when this happens, the voice must have been booming. Likely the entire city of Ayaka heard this call. By episode’s end, even the baseball coach is able to discern the identity of Ultraman Rosso, supposedly based on the hero’s pitching technique. Along with this, we finally get a full-body, day-lit shot to confirm that Makoto Aizen is, in fact, the human host of the upcoming villain Ultraman Orb Dark and the one behind the string of Kaiju attacks. What remains unclear is his motive, though it becomes a bit of a man-versus-item tsundere situation, as he is seen at the end lovingly touching his Ultra Crystal items, holding all the Kaiju at his disposal. In this episode, he uses the familiar Red King type, and even praises the crystal after his failure.

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This episode also marks a milestone in being the first time that either brother obtains Ultraman crystals other than their base, even if it is a weapon upgrade rather than a form change. The new crystals allow the R/B Slugger to be upgraded and the brothers perform a new team attack with this upgraded weapon, mostly due to necessity with Katsumi’s injured shoulder. This injury, sustained early on, is smartly played as a weakness as an enemy combatant would use with an injured foe in the real world, and it does noticeably hinder Katsumi’s baseball performance.

After Aizen sets off the Red King attack, the coach himself is forced to step in and close out the baseball game as pitcher, ultimately failing as the opposing team lands a grand slam in the 9th inning. Despite a solemn promise to go out on a victory for the coach’s final game, he is not disappointed, or upset. He knows they played a good game and that that is what matters more. It’s a lesson in sportsmanship, and in perspective in life and as the coach and Katsumi leave the field together one final time, the shot is fittingly artistic in its composition.


Episode 5

In this episode, we are given a glimpse of the more human side of the citizens of Ayaka, with Isami even being given something of a romantic interest in the form of an engineering student, Ninomiya Yuuha, nicknamed Icarus for her propensity to build flying machines that can be worn by humans. In truth, her experiments are dangerous and even Katsumi and Asami see it. They go so far as to convince Isami to get her to stop and give up on her dreams of achieving flight while wearing wings. I cannot argue with their logic, seeing the machine Icarus builds for herself.

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After a visit from Aizen, a bug is planted in Quattro M so he can gather information, hoping to overhear the brothers talk about being Ultramen. He is quickly foiled by Asahi, thinking the bug is a cookie (as it was disguised), and it is thrown away. It’s a slightly comedic moment as the bite sends a burst of high-pitched sound into Aizen’s earpiece, causing him to do a literal spit-take with the tea he is drinking in that moment.

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Working with this new character, Isami helps her fix her wings, and the pair discover a new Ultra Crystal, for Ultraman Tiga and a new Wind form. Aizen decides to take it for himself, and unleashes a new Kaiju on the city, leading the brothers to waste zero time in jumping into action. This time around, unlike in previous weeks, they don’t waste time hiding their secret identities from Asahi or Icarus, who are both led just out of range of where the battle will take place before the brothers transform. The new Kaiju is reminiscent of Toho fan favourite King Ghidoriah, though with only one head instead of three, combined with a large bird.

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With the wind crystal in the open, Isami is the first to take its power and becomes Ultraman Blu Wind, with a deep purple colour palette and many of the same powers as the Kaiju. It’s a genius move and ultimately ends up leading to Aizen only getting more excited, and after the battle is over we see the Ultraman Orb Dark crystal for the first time. It’s a detailed, close-up shot, and for anyone curious about the odd letters on the crystals, they have been partially decoded by a Facebook user, who deciphered that the letters are simply the Ultraman language versions of whatever character is pictured on the crystal.

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Overall, Ultraman R/B continues on an upward trajectory, even if only scratching the surface of its lore up to this point. With the debut of Ultraman Orb Dark now set for episode 8, we are only a few weeks away from a massive spike in the conflict. But until then, I would love to see these characters and this world continue to grow.

What did you guys think of these episodes? Leave a comment and let’s discuss!

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Ultraman R/B Episode 3 Review

Stone birds, zany CEOs and more in this edition of Ultraman R/B!

Brotherly humour continues this week, even in the pre-credits narration from the duo, as Isami laments that he doesn’t think they have a victory pose. Katsumi disagrees. It’s the little things like this that add depth and colour to characters who could have otherwise been made very bland. Even little sister Asami gets a lot of characterisation this week, as the trio spends much of the episode in the Aizen Tech facility, now finally directly interacting with Makoto Aizen. The eccentric billionaire is running a Willy Wonka’s Chocolate Factory of technology, including jet packs, augmented jump shoes, and Kaiju-proof shelters, giving the whole facility and company the feeling of being a goofier version of Stark Industries.

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Aizen himself is a central player in this episode and we get to see more of his excitable demeanour, while also being given a glimpse of a certain duality that exists in him as scientist, versus the public persona of the happy-go-lucky CEO. As a researcher, Makoto Aizen reveals that he worked with the matriarch of the Minato family, Mio, before her disappearance in 15 years ago. To put it into perspective, Minato Mio disappeared in 2003, if we assume the show is set in the modern day. Up to this point, Makoto Aizen had yet to take over his father’s small factory, then called AizenMech. In his research, he says, a theory formed surrounding the creation of Ayaka City’s legends and that the legends may be anything but.

It’s a curious bit of background information, and implies that Aizen may have a much bigger role to play later, especially given that he correctly identifies two of the falling stars of legend as the Ultraman brothers. The third, he assumes (again correctly) is the kaiju Grugio. The fact that he knows this much already could mean a few things, but personally, I am hoping he has a central role to play. The character is immensely likeable, and already his scenes can play serious or comedic to equally positive effect. Towards the end of the episode, he stops a man walking down the road and says, “You are exactly what I have been looking for!”

To me, this means he has some kind of plan and is more directly involved than he lets on.

Thankfully, all it takes for him to figure out the Ultraman brothers are the Minato brothers is their absence from the Kaiju shelter when the rest of the building is evacuated.

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Also, Ultraman can fly like Superman now (because of reasons).A lot of toku shows leave the audience sometimes wondering at the leaps in logic it must take for the writers to keep the heroes’ identities hidden, but in this case, at least they seem to be getting right to it and doing away with the secret identity bit, if only in part. Inevitably, Asami will figure it out as well, and this can only add to the comedy dynamic of the family. Overall, though, this episode has the same great off-beat humour we have come to expect, while adding a touch of darker undertones to the series. I am very excited to see what is to come.

What did you think of this week’s episode? Leave a comment and let’s discuss!

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Ultraman R/B Episode 2 Review

The light-hearted comedic charm shown in the opening of this new series carries over in a big way this week. The second episode of Ultraman R/B opens on the brothers testing their abilities, including a lot of experimentation with laser blasts cut over dialogue and banter that definitely made me laugh a few times. The best of these moments, though, comes after Isami inadvertently blows up a mountain and remarks, “It’s only a little blown up!”

Though he has still yet to appear directly with our heroes, we are treated to a brief glimpse of the over-the-top bravado and silliness that make up Makoto Aizen, the self-proclaimed “Preacher of Love and Goodwill.” After someone with Ultraman-like abilities at human size saves a woman from an accident in front of him, Aizen asks the man to lend his power. The brothers share a more serious exchange as they debate what to do about being Ultraman, whether to tell people or just keep fighting in silence. They even remark that the news media lumped them in with Grugio as Kaiju, and the whole exchange leaves Isami boiling with anger.

It’s only thanks to candy from his little sister that he finally calms down, and we begin to see a particular dynamic taking shape. We see the process of a Kaiju being called into being, but not by whom, and it seems that they come from crystals as well as Ultraman does. A crystal in a Rube Gyro leads to the rise of a new Kaiju, who immediately begins to attack Ayaka City once again. This time, Isami is ready to jump right into the fight, though he takes a moment to try to hide his identity.

For his hesitation, Isami is left trapped under rubble and unable to transform.

With a Kaiju running rampant, the whole scene comes across as fittingly bleak, with an emergency services siren constantly playing on in the background. Buildings have crumbled and the damage is evidently not going to just disappear at the episode’s end. In this scene, we begin to see that the brothers now share a mental link, as well as a familial one. Touching their Gyros at the same time leads to Katsumi being able to see his brother’s situation and position, and he wastes no time in heading there for a rescue.

When suited up this time, the fight doesn’t seem, to me, to carry as much weight as the encounter did at ground level. Punches land limply, and the brothers, per their normal style, spend more time doing acrobatic stunts than they do focused on combat. There is a moment during the fight where they sneak some more comedy into it, again at Isami’s expense as he realises he broke a building.

Another snapshot of Aizen and an open book reveal that the brothers may have been fated to become Ultraman for a long time, and that their mother knew. We will have to wait to learn more, but as Ultraman seasons typically run half the length of their counterparts at Toei, we can expect the wait won’t be long. Overall, this episode carries forward the established tone well, balancing light and dark in equal measure, and making sure to leave room for the brothers to play off of each other well.

What did you think of Episode 2? Leave your thoughts and let’s discuss!

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Ultraman R/B Episode 1 Review

After months of build-up, Ultraman R/B made its long awaited debut this past Saturday. Did the red and blue brothers live up to the hype?

Ultraman R/B does an incredible job of setting up its world and characters early into the first episode. Before the OP has even played, we see our heroes, Katsumi and Isami Minato, in their Ultraman forms, as well as Grugio, the Kaiju of the week and resident legend of the brothers’ hometown, Ayaka. We see Ayaka itself, a quaint small town in the mountains of Japan, complete with its own local legends and folklore. When the cutaway begins, the feeling is almost like the cliched-but-entertaining, “Record scratch. You’re probably wondering how I ended up here,” situations that come up in films from the 1980s.

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Isami is a scientist, and Katsumi works with his father selling clothes out of the family’s store, Quattro M. As the episode goes on, the brothers remark that their mother was a scientist as well but has been missing or gone for close to 15 years. Katsumi is shown to be the more responsible of the pair, as the older brother, and Isami, for all his knowledge, is painted as a bit more reckless. While the pair banter back and forth, we are given a glimpse of another character we know will be a major player later, Makoto Aizen, an industrialist who seems to specialise in human augmentation.

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The brothers play off each other very well, from a comedic standpoint. More and more as the episode goes on, we see their exchanges in the way of friendly banter, one-liners, and quick jabs at each other’s personality quirks, meant in a friendly way. This extends all the way to their teamwork in the first encounter they enter, against the Kaiju, Grugio. In fact, it’s one such exchange that leads to the brothers getting their Ultraman powers in the first place, if indirectly.

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Isami begins to detect movement near the mountain just outside of Ayaka, and ropes Katsumi into going along to the park. Complete with odd backpack gear and too much jargon, Isami is able to dive full on into his research, and Katsumi is left confused. When Grugio attacks, though, the brothers are fearless and act immediately to save a child. Grugio catches them both in a blast but they awaken as Ultraman Rosso and Ultraman Blu, rather than being killed.

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During combat, they show little to no aptitude, making for a few moments played for laughs in which they accidentally hurt each other. Going along with this motif, their first form change comes from an improvised idea by Isami to see if they can switch power sets by switching crystals. They can and do, inverting their abilities to finish the fight.

When defeated, Grugio reverts to a crystal and falls into the palm of someone’s hand. Though we do not see this new figure’s face, the implication is that this person is the human host of Ultraman Orb Dark. The brothers awaken to find their younger sister, Asami, trying to give them candy and get them home. It seems being an Ultraman is exhausting.

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Overall, this episode serves as a great introduction to this series, while offering a slightly more light-hearted take on Ultraman than previous series have. The comedic dialogue and snappy one-liners from the brothers made this episode very entertaining, and I would easily recommend Ultraman R/B as a jumping on point for newcomers to the franchise.

What did you think of the premiere of Ultraman R/B? Leave your thoughts below and let’s discuss!

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Ultraman Anime Release Window Revealed

As revealed today with the release of Volume 12 of the manga, the anime adaptation of Ultraman will be released in Spring 2019, seemingly to coincide with the release of the third film in the Godzilla anime trilogy. The release is also confirmed to be worldwide, with distribution and translation being handled in-house by Netflix, whom have previously brought over hit anime series like The Seven Deadly Sins, Violet Evergarden, and Kakegurui, as well as the live-action adaptations of Mob Psycho 100 and Kakegurui.

The current Ultraman manga is written and illustrated by the team of Eiichi Shimizu and Tomohiro Shimoguchi, who previously worked together on Linebarrels of Iron, and follows protagonist Shinjiro Hayata, the son of original Ultraman Shin Hayata. The series began publication in October 2011, where it was first published in Monthly Hero’s magazine’s first issue. Outside of Japan, the translated volumes can be purchased via Viz Media. With the setup for the plot ignoring all but the first season of the series, this version of Ultraman is very different from the one typically seen in TV series since the mid 1960s. This version of Ultraman is decidedly more grounded, and has a hint of the gritty realism made popular in superhero fiction by Christopher Nolan’s Dark Knight trilogy.

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The new series will be done in the 3D-CG art style seen in other recent anime like Berserk (2016-2017), Tiger & Bunny, and Fate/Zero. Artistically, the series may draw many of its designs and influences from Tiger & Bunny, as many of its elements are aesthetically very similar. Look for Ultraman when it is given a simultaneous worldwide release in Spring of 2019.

Are you excited for Ultraman? Leave a comment and let’s discuss!

Source: Gormaru Island via Facebook