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This Week in Tokusatsu – Week 2, 2019

Kamen Rider Woz debuts! The police have finally begun to suspect the identities of the phantom thieves, and we get a new anime Godzilla movie courtesy of Netflix.

Lupinranger vs Patoranger Episode 46

Picking up right after the Christmas special, Keiichiro believes (correctly) that he has figured out the identities of the Lupinrangers. He takes his findings to his colleagues, and Commander Hilltop, and begins to make his case. Tsukasa, who has been suspicious of them in the past, feels the lightbulb click on, and the pieces fall into place. For her, a lot of suspicious elements of their past escapades suddenly make sense. The Lupinrangers themselves, meanwhile, are trapped in a game show thanks to a piece of the Lupin Collection, and the show becomes a highlight reel of past episodes for both teams.

This episode contains some comedic bits, impersonations of other characters and the male Lupinrangers in drag, but otherwise is mostly light on action and substance. The biggest elements of this episode for the plot overall come at the beginning and end, by which point the Global Police have agreed to begin surveilling the Jurer trio. Keiichiro made his case, it seems, and that will be our setup for the last seven episodes, which will air between now and early March 2019, when Kishiryu Sentai Ryusoulger begins. While the police and thieves fight amongst themselves, though, the Ganglers are preparing their master plan, so it will be interesting to see how all of these different elements come together in time.

Kamen Rider Zi-O Episode 17

It’s new year’s day in… 2022?! Sougo meets a new Rider in the beginning of this episode, Kagura Rentaro, Kamen Rider Shinobi. Shinobi is the Rider from 2022, and also bears the identity of Another Shinobi in 2019. To set up for this episode, the show builds a new version of Woz, and manages to give him unspeakable power without really thinking logically about all of the implications after. This new Woz wears all white, and carries an e-reader like an older Kindle that he can write future predictions into, which are shown to immediately come true. White Woz, as the preview for next week calls him, uses this power to mess with not only Zi-O, but also Uhr as well, showing with devastating effect the potential he could unleash.

This left me with one very important question, though. If White Woz’s book can change the timeline directly, why not simply erase any threat from existence with a phrase written into the book, as he threatens to do to Zi-O? Any character having that level of power deflates the stakes in most situations, so hopefully this power will either have rules that are explained, or be taken away, to give the team some semblance of a struggle. When White Woz does make his first transformation at the end of the episode, he easily defeats Another Shinobi, before using a term in universe that has only been heard up to this point in the marketing.

“You will change history, Geiz Revive.” He says to Geiz, bowing the way “Green” Woz always does for Sougo. The future characters consistently mention a new idea this week, the Day of Oma, in which Sougo becomes Oma Zi-O and erases all other Riders from history . It’s implied, based on Kamen Rider Shinobi being unknown to “Green” Woz, that this day occurs before 2022. Based on the way the idea is explained, it seems White Woz comes from the future that directly follows the early events of the series, but assumes a darker end in which Sougo still succumbs to the power of Oma Zi-O.

This Oma Zi-O is defeated by Geiz’s powered up form, Geiz Revive, and the future is saved, or so Woz claims.

Only time will tell how this arc plays out, but the preview for the next episode sets up Kamen Rider Woz as a direct antagonist to Zi-O, even if he is supporting Geiz. Stay tuned for more.

Godzilla – The Planet Eater

After a brief period between the second and third films in the Godzilla anime trilogy, we’re finally able to watch the conclusion to this series. Like the other two films in the series, Godzilla: The Planet Eater follows the exploits of a tri-species group of humans and two other races, trying to defeat Godzilla and reclaim Earth as their home, 20,000 years after fleeing into space. The films have seemingly gone down in quality with each subsequent release, with the first featuring lots of frenetic action scenes, passable animation, and one of the better designs for Godzilla outside of live action. The second film, City on the Edge of Battle, took a dip in quality but still managed to put an interesting twist on MechaGodzilla, and now The Planet Eater seems to have mostly gone off the rails.

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During the second film, our heroes stumble on a group of evolved humans, who have adapted to make a Godzilla-controlled Earth habitable, and end up taking refuge with them after the MechaGodzilla City is defeated. This third film picks up seemingly minutes after the end of the second, as people struggle to recover and put themselves back together. One of the races, called the Bilusaludo, is a technophiliac cult, and had offered themselves up as sacrifices to bond to the nanomachines that make up MechaGodzilla City, even going so far as to force humans and Exif, the third race, to join them. But where the first film focused on humans, and the second largely on the Bilusaludo, the Exif become the major players this time around.

The bulk of what plot exists in this movie is focused on the Exif, particularly a priest name Metphies, trying to summon their god via a ritual. Their god, it turns out, is classic Toho monster King Ghidorah. At least, that’s what we’re meant to believe. The film never gives us a proper look at Ghidorah, through its entire runtime. Instead, we’re treated to shadowed silhouettes of Ghidorah’s classic look, and three glowing gold ghost dragons that can only be described as being rip-offs of Shenron, from the Dragon Ball series, right down to where the appear from nothingness against a black background. Many of the themes in the film involve criticism of religion both for the believer and the skeptic, and there are a pair of minute-long sequences where the film becomes a one-frame-per-second slideshow of poorly-animated CG images.

This would be tolerable, if the final scene before the credits roll didn’t completely undo the entire trilogy. Overall, I find it impossible to recommend this film, even as an avid lover of Godzilla and Kaiju in general. If you are on the fence about this one, do not waste your time.

What did you guys think of this week’s shows? Leave a comment and let’s discuss!

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This Week in Tokusatsu – November 30th, 2018

Greetings, loyal readers! Today marks the beginning of a new weekly series, This Week in Tokusatsu, here at Toku Toy Store! Each week, we will be spotlighting events from Tokusatsu shows and movies, summed up in a more broad way than our older episode reviews. Stay tuned here each week for news, previews, and reviews!

For this first edition, we have a lot of ground to cover with more to come. Lupinranger vs Patoranger has entered its final arc, and though the pacing is inconsistent, the show is going strong! Meanwhile, Kamen Rider Zi-O begins to pick up steam with the Gaim arc coming to a close, and new trailers have debuted for Ultraman and Godzilla: King of the Monsters. Let’s dive in, shall we?


Lupinranger vs Patoranger Episode 41

Our heroes face off against the Gangler general Destra this week, and find themselves trapped in the Gangler world, which is something akin to Britain or France, draped in purple fog and eternal darkness. This is where we start to see the politics within the Gangler organization take shape in a meaningful way, as well as learning the true power that comes with a Status Double Gold designation, for someone like Destra. The episode treats us to some really well-done action pieces, even if the isekai plot thread is resolved a bit too quickly.

Once again, we’re starting to see Tsukasa put the pieces together that maybe the Jurer trio are more than they appear to be, but again the show holds off on the reveal. With just eight or nine episodes left before the end of this series, the reveal is coming up fast, and the final arc appears to be where the teams will have to truly come together. The preview for the next episode shows Tokyo in ruins, and Ganglers rampaging, as the heroes look on. The stakes are high and we won’t have to wait long for the payoff.


Kamen Rider Zi-O Episode 12

This week, Zi-O’s Gaim arc concludes, and we get to see a bit more of the spectacle that comes from having two Sougos, separated by a time interval of three days. It’s mostly played up for laughs in the beginning, but does end up becoming a crucial part of the endgame plot. Along the way, we get new character insights into most of the main cast, but the main bulk of the character growth comes in the form of Geiz’s willingness to trust Sougo with another Ridewatch, and the power of Gaim. It’s a powerful moment, driven by the lecture Geiz gets from returning actor Yutaka Kobayashi (Kamen Rider Baron/Kumon Kaito).

Next up, we will be treated to what appears to be a thoroughly packed arc, including appearances by Ghost, Decade, and Agito, with Decade appearing as a primary villain, if the trailer is meant to be taken at face value. A glimpse of Another Ghost reveals that the next Another Rider is more horror-themed, more demonic in appearance than his contemporary counterpart, and we also see that Sougo’s meeting with Takeru leads to him becoming a ghost as well. Does this mean one of the Sougos will die? Only time will tell.


Ultraman Anime Trailer

Earlier this week, Netflix debuted the first trailer for the long-awaited anime adaptation of the Kodansha manga Ultraman, which serves as a sequel to the original series. The art style has been a bit alarming for some, with much of the 2d/3d CG drawing parallels to the much-maligned Berserk continuation from 2016. The story follows a new Ultraman, the son of the original, and appears to be set in the modern era, rather than the 1960s setting of the original series. Another large detail is that this series will ignore all Ultraman continuity after Ultraman season one.

Look for Ultraman to debut in April 2019 on Netflix.


Godzilla: King of the Monsters International Trailer

The second international trailer for Godzilla: King of the Monsters debuted this week, and gave us our best look yet at the upcoming Kaiju. Rodan, Mothra, and even (through fog) King Ghidorah himself were on display in the new trailer, while the story of the human characters was expanded on a bit further. As hype for this film continues to build, Legendary Pictures’ Monsterverse comes together, with this third film slated to open the floodgates to Western Kaiju fans and casual viewers alike. Who knows what will come next? Maybe a cameo from MechaGodzilla? A crossover with Pacific Rim? Only time will tell, but expectations are high and excitement continues to mount as we approach the 31 May 2019 release of this film.


Looking for Jinga and Ultraman R/B? Check back soon as these shows become available and updated!

What was the highlight of your tokusatsu week? Join the discussion on social media!

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Kamen Ranger’s Ramblings: Clueless Godzilla Scientists

Do Scientists In Godzilla Know What They’re Talking About?

We all know this trope. Some unprecedented event is taking place – be it a natural disaster, alien invasion, monster attack or all three combined  – and there’s a scientist character on hand to explain to the rest of the cast how/why this has happened and you just know they’re making it all up.

In some cases, as with several Godzilla movies, they confirm they don’t know for sure, the most glaring example of this is in Godzilla vs SpaceGodzilla in which Dr Chinatsu Gondo proposes two theories to explain SpaceGodzilla’s existence without having any way to verify either. The theories involve black holes and white holes, neither of which are anywhere close enough to earth to make this plausible, which has led me to this conclusion: Scientists in Godzilla have no idea what they’re talking about.

It makes sense if you think about it. Even years after giant monsters are an established presence in these films they still know very little about them. I’d wager that any scientist with the great misfortune to find themselves in a situation involving a giant monster just makes up their theories and recommendations as they go along to keep their job.

I’d love to make a monster movie comedy where we follow the scientist in charge of studying the monster and coming up with ways to combat it and through a series of misunderstandings and hi-jinks ends up accidentally defeating the monster but then has to live with being constantly brought in to deal with monster attacks that he has no more idea how to stop than the intern getting him coffee.

The only scientist that comes to mind in Godzilla that knew what he was doing was Dr Serizawa and even then he was only an expert in killing lots of things horribly, oh and oxygen. Even Professor Yamane doesn’t know what Godzilla’s deal is for sure, though his theory is at least a little more grounded than Gondo’s Space Godzilla theory.

In short I’ve rumbled the racket that scientists in Godzilla movies have had going for years, they’re all hacks and frauds who have no idea what they’re doing. But let’s face it. It’s not like any of us could do any better.

What would you make up to explain a monster’s existence? Would you even stick around long enough? Let us know in the comments.